Satirical magazine Private Eye has depicted the former News International chief executive as a Salem Witch on the cover of its current issue (May 31, 2012) following charges made against her of perverting the course of justice during investigations into phone hacking.

Whatever Private Eye’s intentions, Rebekah’s Brooks’ representation as a female folk devil is vehemently justified by some journalists and academics on the grounds that her papers have doled out full-scale vilification to individuals without proof.

The Daily Mail has been particularly keen to wheel out the type of ‘career girl’ cliches than went out of fashion in the 1980s (http://www.dailymail.co.uk/femail/article-2142997/Leveson-Inquiry-Rebekah-Brooks-complains-sexist-questioning.html). BBC media correspondent Torin Douglas provides a round-up here http://www.bbc.co.uk/news/uk-18043885

As a teacher of ethics, I share the concerns of many that some national news brands have cumulatively created a climate of prejudice and misapprehension towards certain groups and figures. And few could be averse to be jumping on any signs of double standards. But the disparaging of Brooks by virtue of her gender is a direct attack on her as a powerful female figure.

Compare her treatment to that of the other goliaths in the hacking story and you get the distinction. Rupert Murdoch is characterised as a ageing, table-thumping incompetent, while his son James is someone who only got his job through nepotism. They, Hunt and Coulson – I’ve never read an intricate description of their clothing, hairstyle not seen a metaphor or adjective alluding to their masculinity.

Whatever Brooks is alleged to have done as a newspaper executive, her alleged misdeeds have been compounded by the combination of her gender and ambition. Media coverage has devoted far more attention to painting Brooks as a folk devil than it has to the male players. While the somberly be-suited men accord with society’s expectations, a female leader can expect to be castigated for the sins of not conforming to her allotted role.

Brooks’ symbolic annihilation came in the wake of another media moral panic about crimes against femininity. ‘Britain’s worst mother” Karen Matthews was photographed and her new appearance scrutinised following her release from prison for staging the kidnap of her daughter.

The ‘phone hacking scandal is only a part of the motivation for presenting Brooks this way. Men have failed all along the way. But woman are expected to behave perfectly at all times. So whether you are 50-something, weight-lifting pop star, a bad mother (note mother not parent)  or a powerful industry figure, you can expect far tougher media treatment than your male counterparts.

This is the rough text of my public lecture at Brunel University, Monday March 12, 2012 

Citizen journalists, content providers, bloggers: technology is transforming how we receive news, by whom it is produced and how it is gathered. The 18- to 35-year-old generation, who’ve grown up with the World Wide Web, expect to get their news for free these days. They get it from television, in their e-mail inboxes, on their phones – all at the click of a button. Many believe these changes have huge implications for the future of journalism, especially in terms of public trust and the standards of practice within the trade. As the craft is swept along at high speed on a journey for which it is not fully prepared, the future of journalism is in the here-and-now – multi-platform, multi-skilled and mired in doubt and controversy. But I think it is wrong to believe that the brave new e-world is bringing down journalism, as many within the industry have argued. Technology can all too easily be made the scapegoat for something more insidious and damaging lying at the real heart of doubts about the future of journalism in the digital age. Let’s start by looking at the fears. One school of thought believes the significant decline in newspaper sales since the 1970s means newspapers will soon go out of business; one commentator Philip Meyer predicts ominously that 2043 will be the year when newsprint dies , ‘as the last exhausted reader tosses aside the final crumpled edition’. The phonehacking scandal and the ensuing Leveson inquiry certainly make many of us fear journalism’s standards of accuracy and rigour are also suffering from a terminal illness. The emerging use of ‘content’ instead of ‘news’ or ‘journalism’ to describe material published, posted or broadcast suggests that journalists’ work is little more than ‘stuff’, filling a designated space, rather than the carefully-crafted result of quality reporting. Intrusion, dumbing down and ‘infotainment’ are but a few of the factors that have led to calls for the industry to be more open. One result has been a widening disconnection between the public and journalism, evident in the declining reputation of the journalist in opinion polls and in popular culture. Think how journalists were once portrayed in the cinema. From the wise-cracking Hildy in His Girl Friday to Clark Kent and Lois Lane in Superman.  Celluloid journalists were crusading public servants, working for the good of society. Today, the public has withdrawn its affection, lampooning the seemingly vacuous, image-obsessed nature of the corporate, professional self-seeking journalist, epitomised by Courtney Cox’s Gale Weathers in the Scream trilogy. Maintaining the public’s faith in journalism as a watchdog for democracy, rather than as entertainment, is vital. A university study last year after the phonehacking came to light ranked journalists only just above estate agents in the public trust – and below politicians despite newspapers exposing the MPs expenses scandal The dip in trust in journalism has been accompanied by the breakdown of another important relationship; one far more threatening to journalistic standards than technology. Media owners and journalists once worked in close union, with a common purpose of producing news that would attract as many readers, listeners and viewers as possible. Journalism, it was felt by both, was the lifeblood of the industry and to dilute the content would not only lose audiences but also the reputation of the industry as a whole. But, a noticeable distance has developed between media proprietors, journalists and audiences, coinciding with the shift from strong publishers and campaigning moguls to executive boards and shareholders. This breakdown of relationships seems to have occurred when small outlets, run by local owners, were sold to corporations. This brought newsrooms better facilities and slick offices and streamlined efficiency. But as years went by, Power once vested in editors and indeed readers became a need to maximise investors’ returns. Owners, even when they were chairing a board, were identifiable and personified the ideology of the operation. Today, with one or two notorious exceptions, the ownership of a corporation is anonymous and de-personified. Cost-cutting has reduced the number of correspondents stationed abroad, shrivelled or closed news bureaux and crippled local reporting staff who once kept an eye on governors, mayors, councillors, criminals and the justice system. It has shrunk the size of the typical newspaper page, cutting the cost of newsprint but reducing news content. That so many outlets are fighting for their survival suggests that free-market capitalism is not the ideal platform on which to base the journalism industry.Considering that the sales of the popular press are in greatest decline, despite the slight peak of interest in the Sun on Sunday, the message seems to be that news consumers are looking for a brand they can trust. More investment in innovation, quality and rigorous reporting might lure audiences back to journalism, which in turn may bring back the advertisers who are currently promoting themselves in non-journalistic outlets.

 

So Journalism faces many challenges – but I see the hidden truth is that these challenges have less to do with journalism, or even technology, than with the context within which journalism is produced. The economic basis of production has transformed both journalisms’ processes and its perception by the public and institutions. This, more than anything, needs to be tackled if journalism is to survive and revive.

Interactive media technologies actually present a golden opportunity for news-makers and news audiences to reflect on the present state of journalism. In the mid-1980s, when computers revolutionised journalistic practices and transformed the economics of production and distribution, technology posed no threat to news itself. Newspaper circulations had been in decline for the previous 30 years, ever since television had started to play a central role in daily life. But television did not dent the appeal of journalism itself.. If anything, it raised the media’s global profile. While television supplied visually-impressive footage, certain newspapers understood their role within the burgeoning journalism marketplace: the delivery of broad coverage, deep analysis and opinion. The digital revolution, offers a limitless increase in the amount of information. This is not such much a threat to journalism as a challenge.

So let us look at the Implications….The future’s ‘glocal’ – global and local. The Internet gives us access to content from newspapers, television channels, blogs and podcasts from around the world. We are no longer limited to our own national media to frame the news of the world; at the push of a button we can go directly to any corner of the globe and get their local perspective. in a war or uprising we are starting to see something interesting happening. Instead of there being two sides to a story, myriad accounts emerge and the challenge to a media used to binaries of good versus bad is how to adequately present that diversity.  And as well as its global ramifications, the internet enables a return to the hyper local. It’s nothing new but was abandoned in the 80s in favour of cutting newsroom budgets to boost profits.When I trained on a locally owned newspaper my editor didn’t like to see me in the office – I was out and about knocking on doors, looking for the extraordinary in the ordinary and reflecting a community through pages and pages of stories. Then I and my fellow reporters arrived at work one morning to find ourselves in a swish new carpeted office over the road, but with fewer staff and even fewer pages to fill. We were now owned by a leading conglomerate who despite cheaper production costs heralded by on-screen page make-up, decided to simultaneously reduce the number of local district pages and swell up the advertising. After that I barely left the office, spoke mainly to press officers and the tip offs from our readers dwindled. There we had the tools to make our job quicker and easier – the technology wasn’t at fault it was the profiteering of our owners that was wholly out of step with the communities they were meant to serve. So mass communication became more top-down’: a ‘few’ mediating to the ‘many’. In contrast, digital journalism means online news has the scope to be a two-way conversation between news producer and news receiver. Audiences can enter into dialogue with news providers, rather being passive. Greater interactivity means that online writing tends to be more personal, giving reporters, editors and news anchors the chance to be more human and connect with their audience in deeper ways than  the styles that were actually invented to relay dispatches over a very shaky transatlantic cable. This can be very challenging to traditionalists, but journalism isn’t fixed – it has to be dynamic. History shows that media organisations embrace technology to increase efficiency, reduce costs and maximise audiences but there is evidence that recent developments may – ironically – have the potential to wrest some of that power from the corporations. In the early twenty-first century, networked computers, digital cameras and mobile telephones with multiple functions are affordable by ordinary consumers. Digital content, capable of being used across media platforms, can be produced by ordinary citizens as well as professional news gatherers. This begs the question..”Would you trust a citizen brain surgeon?” This is a common refrain as the news industry grapples with the idea of a technologically empowered public. Audiences can take a very different and active role within the news-making process, seeking alternative news sources or actively providing content. This reconfigures the relationship between journalism and citizens and raises important questions about its role, status and function in society. You may have seen that the The Guardian, which is owned by a trust rather than a conglomerate, is promoting its open journalism, seeking to work interactively with readers and other partners in what is describes as an open Eco-structure of information. Editor Alan Rusbridger  sees the role of the paper as to aggregate, curate, and distribute rather than hiding behind pay walls. When covering the Arab Spring, for example, it used a lot more north African writers rather than only its star reporters and translated into Egyptian to widen access. Readers of interactive online news are free, within editorial constraints, to select the stories they wish to read, investigate them in how much depth they want and, potentially, respond to them. Increasingly – and most significantly – news receivers are being invited to share in producing the news content, taking on some of the functions of journalists by circulating information, images, video footage, audio clips and text. Look at recent examples: The 7/7 attacks on London, when the public took over reporting because of news blackouts. The riots, when news crews were forced out over fears they’d pass footage to police. Ok, coverage was shaky, exaggerated and fabricated in some instances but an accurate picture soon built up. While broadcasting Goliaths such as Sky News and ITN flew in big-name presenters to riot-stricken cities across England, a couple of Sikh men, calling themselves Sangat News, armed with a point-and-shoot camera  stole the headlines. New technology could revive investigative journalism. Increasing pressure on news outlets to be fast and first means that journalism which is both expensive to produce and time-consuming to gather has a much lower priority than entertainment. The Internet, and the closer rapport it engenders between journalists and their audiences, might serve to regenerate in-depth reporting. There have been experiments such as crowdsourcing’. For example, The Sunlight Foundation, a nonprofit, non-partisan Washington, D.C.-based organization  gave tools to citizen journalists so they could find out which members of US Congress employed their spouses. Although it is often viewed as a challenge to the traditional news media, the Internet might better be conceptualised as their complement – supplementing and interconnecting the work of professional journalists with that of citizens. Web-based citizen journalism has the potential to be, as one commentator described it, ‘People who are non-journalists committing random acts of journalism’. bringing us closer to a vision of the public in the interests of democracy. Not only does this offer a diverse array of viewpoints but it may also take the agenda-setting power out of the hands of a few and into those of the many. Interactivity will  compromise journalism’s impartiality severely, which has been the main argument used against it by mainstream news proprietors. When the public can easily access a wide range of views through the Internet, it is increasingly likely that they will turn away from outlets that fail to reflect their personal opinions. This has led senior broadcasters to propose, controversially, that the BBC embrace the idea of ‘radical impartiality’, in which public service broadcasters would accommodate the dissemination of a broader range of views. Surely the aim should be to encourage more and more feedback from and engagement with news audiences, who may shape the agenda and potentially provide an important ‘check and balance’ on the quality and truth of the news? This is less of a problem for newspapers and independent websites which are allowed to adopt editorial standpoints, which might open the way for newspapers to capitalise. Objectivity can be complemented by transparency. Before stepping down as prime minister, Tony Blair made a speech criticising the British media, during which he singled out the Independent newspaper as a ‘metaphor’ for what happened to the news during his tenure, saying it was ‘well-edited and lively’ but ‘avowedly a viewspaper not merely a newspaper’. The ‘red issue’ of May 2006, guest-edited by Bono from U2, was perhaps the most famous of the Independent’s front pages, and drew attention to what some see as the skewed news values of many media outlets. It combined the headline ‘No news today’ in yellow text on a red background with a much smaller subheading at the bottom of the page, which read, ‘Just 6,500 Africans died today as a result of preventable, treatable disease’. News outlets must ask themselves what they can provide that people are willing to pay for. Selecting and explaining key news items would appear to be a sensible shift for the industry -look at what the Guardian achieved over wiki leaks and phone hacking. Though it has to be said – those peaks in sales were short lived. And look: While Lord Justice Leveson  interrogates the practices of the tabloid press,  pornographer Richard Desmond is allowed to control channel 5 and uses print media to peddle the triviliased fayre of his television output. That’s what I mean by the impact of corporatised insidious profiteering.

We can only speculate what the future of journalism holds. But I think the e-generation and new technology aren’t the danger. Digital developments have arisen amid media consolidation and mergers and at a time when corporations allow a news-as-commodity approach to dominate production values and editorial strategies. The Internet and its associated journalisms are trying, albeit haphazardly, to fill a gaping news chasm which opened long before the first website was launched, the first podcast uploaded and the first blog posted. They are an important reminder that journalism has always been an annoyance, a scurrilous activity, operating on the borders of society, in dark recesses where ordinary people fear to delve. Its practitioners have never done the job to be liked or admired. The routine practices of news editors and reporters were not invented in one fell swoop. They arose and evolved from particular circumstances and philosophies. And they are still arising and evolving, thanks to the opportunities that technologies bring. Journalists themselves are understandably wary about the new online environment, but more due to the ever greater demands placed on them by managers rather than the technology itself. I have faith in journalists like the ones we train and educate at Brunel. In the future, as has been proven in the past, they will find a way to accommodate these changes for the benefit of the public interest.

This question’s back in my mind as I follow the Leveson Inquiry. I was once ‘phoned up by a celebrated UK-based investigative journalist while I worked as a lecturer at another London university journalism department. This journalist demanded to know background information about a student I had taught a couple of years previously who was now embroiled in a story involving one of his paper’s rival outfits. When I declined to provide any details or comments – he wanted to know the student’s grades and my thoughts on whether she was a ‘good’ student or not – he became verbally arrogant, citing ‘public interest’. The story was not in the public interest, and seemed to me to be point scoring between two rival media giants. He claimed he already had quotes from other academic colleagues, which was later denied by those parties. By now, he was lecturing me in a rather haughty fashion on how to be a journalism lecturer, citing how the story would be a ‘good case study’ for one of my ethics classes. Remaining composed despite the now booming barrage, I told him that I did not feel it either ethical or in the public interest for academics to start spouting personal details about their former students to journalists. What kind of message does that send to incoming students about the integrity of those to whom they entrust their funds and their futures?

The career of the prolific pop artist Prince has become inextricably intertwined with the history of popular music since the late 1970s. This multi-instrumental icon, who remains one of the highest-grossing live performers in America, has been called a genius for his musicianship, composition and incredible performances. But Prince holds iconic status for more than his music. Best known for his racial blurring and extravagant sexual persona, Prince’s music and visual iconography has always chimed with the ambiguity of subjectivity at any given moment. ‘Prince’ the sign offers a space for fans to evaluate and reconfigure their attitudes towards their own identities, and towards their position as subjects within the socio-cultural sphere. This much-needed interdisciplinary analysis is the first of its kind to examine critically Prince’s popular music, performances, sounds, lyrics and the plethora of accompanying visual material such as album covers, posters, fashions, promotional videos and feature films. Specifically, the book explores how and why he has played such a profoundly meaningful and significant role in his fans’ lives.

Contents: Preface; Introduction; The making of the authentic pop icon; Inscription of otherness: dandyism, style and queer sensibility; A god of earthly pleasures; Voicing the erotic and the sublime; ‘Take me with u, Prince’: female identifications with a male pop icon; The Princian sonic universe: matters of compositional and performative proficiency; The live experience: performance and performativity at the O2 Arena; Selected discography/filmography; Bibliography; Index.

About the Author: Professor Sarah Niblock,  Head of Journalism, Brunel University, London, UK.Professor, Stan Hawkins, Department of Musicology, University of Oslo, Norway

Reviews: ‘It’s about time! Prince, pop’s SEXY MF, has long been a subject of fan praise and speculation. While acknowledging these deep veins of adulation and conjecture, Hawkins and Niblock critically rewrite them through refined interdisciplinary inquiry. The result is a rich account of the intertwined complexities of Prince’s profound musicianship, performance verve, and positioned subjectivity.’Steven Feld, University of New Mexico, USA

‘In Prince: The Making of a Pop Music Phenomenon, Stan Hawkins and Sarah Niblock have written a thorough, scholarly and insightful study of the cultural impact, iconic status, and the work of Prince. They have explored the psychology behind Prince’s writing and behind the perception of his work by the public and by critics in a way that is engaging, convincing, and exceptionally well researched. This is a book that every serious student of popular culture (and especially of Prince) should read.’ James E. Perone, Author of The Words and Music of Prince

http://www.ashgate.com/isbn/9780754668763

I’ve picked up at least three potential exclusives – just through random conversations over the course of one morning. None of these have been noted by the press round where I live.

I would gladly report them for the local media but they don’t appear to give out freelance contracts so I don’t have the official press credentials to get two of these tales ‘stood up’ by police in Haringey and Islington boroughs.

Without that double-sourcing, I won’t go into the details here except to say that in one case there are claims of a significant delay in police appealing for witnesses, which residents feel have public interest repercussions.

Two of the stories were gleaned in the course of disposing of rubbish at a council depot where staff were buzzing with details and happy to share with all-comers. They couldn’t understand why they were unreported and were keen for everyone to be aware.

The third story came from a young woman living in the heart of the troubles in Tottenham. It was about a meeting to be held on Tuesday evening, which she was worried about. Her partner was too close to recent events, she felt, and she was considering whether she wanted a future or the children she was planning to have with him any more. The emotional as well as physical impact recent events are having on residents and relationships is the grist of local feature writing and colour pieces.

My point is simple – journalists should be out on the streets of their patch, chatting to anyone and everyone and building a recognisable presence in their area. That way, when something does happen, you’ll be the first to know and you’ll be properly reflecting the concerns and interests of your readers. Even a couple of hours a week can make all the difference to you and your community.

No journalists appear to have been covering Saturday’s march and protest by family and friends of Mark Duggan, the man who was shot in an altercation with armed police last week.

This lack of reporter presence means we will never have an unbiased account of what turned the apparently peaceful protest into a riot.

There have been many unconfirmed reports that Met Police officers used batons on a 16-year-old protestor. Meanwhile, the media are reporting official statements by police that a ‘small minority’ saw the protest as an opportunity to cause trouble.

Now reporters such as The Guardian’s Paul Lewis, who was one of only a very small number of journalists covering Haringey, are using Twitter to try to garner eyewitness accounts.

It was evident on Saturday night, when rioters attacked Sky and BBC satellite vans, that there is huge distrust for the media. Journalists, some claimed via social networking sites, might be evidence-gatherers for police seeking to arrest and prosecute.

Whatever citizens might think of the national media (let us not forget the biased, inflammatory and inaccurate coverage of the Broadwater Farm riots*), sensitive and responsible local journalism might have had an important role to play in averting this level of conflict and violence.

I am mindful of  Jake Lynch and Annabel McGoldrick’s assertion in their book, ‘Peace Journalism’ that “most coverage of conflict unwittingly fuels further violence.” Though they talk of conflicts overseas, their central argument that the media can be a force for moderation is highly applicable in any conflict situation. Some of their suggestions are actually what good local journalists ought to be doing – interviewing a wide range of characters rather than seeing it as one side versus the other, humanising all players rather than sensationalising or stereotyping, and allowing the aggrieved on all sides a voice.

The sheer lack of local coverage, bar unedited press release reproduction of official statements, shows that local journalists aren’t being tipped off to attend marches or get exclusive interviews with families. They are at best viewed with suspicion alongside the national media or, at worst, so detached and absent from the beats they are meant to embrace that local people don’t even know they are covering the area.

If ever the people of Haringey and, now, other inner city zones need a representative and active local media it’s now.

When I covered the aftermath of the Hillsborough disaster and other major stories for the local press on Merseyside, it was still felt that the most accurate and representative reporting of events was the responsibility of journalists living and working in the area.

Your role was to cut through the rhetoric of politicians and myriad conflicting sources and cut to the real truth, both in terms of factual veracity and detail and the emotions and feelings expressed.

I monitored reports of the riots in my home borough of Haringey throughout the night (6/7 August), through the mental fog of a virus. Even though the haze of a temperature, I could sift the facts from the bluster and witnessed a mainstream media evidently unable to cover a major breaking story a couple of miles from their own newsrooms. The looting and unrest at Wood Green Shopping City is being reported in Japan….but still not in the UK at 11am on Sunday morning. And typing this at lunchtime I am still waiting for the first reports to pop up on the websites of the local papers.

Twelve hours into the story, we should be hearing the voices of protestors, the family of Mark Duggan, shopkeepers, councillors and countless people living and working on the streets of Haringey. None have so far been reported.

Twitter was the only reliable source overnight– startlingly accurate when mainstream news seemed to have a blackout on reporting the spread and the facts. In Wood Green, no police were in the area for hours and mainstream media failed to report widespread damage to shops, cars and looting despite bystanders frantically tweeting newsrooms with images and video. As the acting Met commissioner stated ‘categorically’ that there was no truth to reports of trouble in other areas, The Guardian’s Paul Lewis (on his trusty bike but too scared to take pictures openly) described hundreds of looters smashing shops and attacking bystanders. Sky News and the BBC withdrew their crews, shamefully unable to report such an important story except through the lens of the various police official statements. No journalist asked why it was that a protest ended in riot and chaos while actual criminals looted stores unopposed.

Earlier in the day, there were no reports of that protest started by members of the Duggan Family and their friends objecting to the lack of direct contact they have had from police about the shooting of Mark Duggan on Thursday. I can understand the national media ignoring that but when the local press can’t send a reporter down then that is shocking.

This morning, the mainstream media are reporting official sources only, prioritising the voices of politicians and the police. Tottenham MP David Lammy is blaming the inflagrations of violence and looting on troublemakers coming in from other areas, reducing a highly complex and historic situation to a neat media-friendly soundbite: “This is an attack on Tottenham”, thereby ensuring that his inflamed constituents have even less of a voice. Anyone with even a modicum of local cultural awareness would know that those ‘outsiders’ would barely dare to enter then zone, certainly not from neighbouring (rival) areas like Wood Green, Hackney or Finsbury Park. But the views of Lammy and the police will go unchecked and unverified by local reporters.

So far the MP for Hornsey and Wood Green Lynne Featherstone, along with her rival contenders, have remained silent, and it is not known if they have been approached.

If this is the level of reporting we get when conflict happens on our doorsteps then it should shed light on how unreliable reports must be coming from warzones.

There have been two national media reports in the past 24 hours that demonstrate how ill-equipped even prestigious and experienced national news media outlets are to report on local stories.

The first was The Guardian’s reports about mixed reactions to the opening of a supermarket in south Liverpool. http://www.guardian.co.uk/business/2011/jul/12/tesco-brings-hope-to-toxteth?INTCMP=SRCH More on that in another separate (and no doubt lengthy) blog post.

For now, I want to focus on the lead story on the Today programme (7am July 14) was a fire in an industrial unit in Boston, Lincolnshire. The story made the lead because of reported allegations that the unit was being used as an illegal distillery. The evidence for this claim came in just one quote from a resident stating that Latvians had been buying sacks of a particular type of potato from farmers. That was it. The ensuing coverage centred on claims that there is a ‘problem’ with illegal alcohol in Boston. A senior city councillor responded by saying that although he was aware of a small number of seizures of illegal vodka from a very small number of shops, this was the first he had heard of a ‘problem’.

So in one lead story on one of the most respected news programmes in the UK, we have a story that sets a very clear agenda on spurious as-yet-unconfirmed speculation. The reference to ‘Latvians’ is entirely opinion and not based on any provable fact. The journalists should be mindful that there are tensions in Boston over a perceived influx of European migrant workers. So without the facts to back the claim by the one local resident, the report is inflammatory in more ways than one.

The online version of the story http://www.bbc.co.uk/news/uk-england-lincolnshire-14146993 is also problematic by referring to an explosion (the ‘official’ cause of the incident from fire crews and police) when nearly residents heard no such bang. Explosion conjures up fears of terrorism and public hazard in fare more resonant ways than a fierce blaze. Perhaps the accounts from ‘official’ sources should have been flagged up as claims rather than facts while investigations are still at a very early stage. Whatever anyone might have been doing in that industrial unit, it seems the threat was greatest to themselves.

I am working on my next book ‘The Fifth Estate’ which explores media professionalism and training in the digital age. It’s due to be published by Palgrave Macmillan in a few months’ time. Journalism as an activity is becoming decoupled from the media industry it was once strongly connected to. So where does that leave oft-used terms such as journalism practice, context and theory? They used to mean quite specific things – you read about them in training manuals, or ingested their precepts from abiding books and chapters. But my research over the past few years convinces me that the education and training of journalists needs to be more diverse to better prepare the next generation for the creative potential they have.

At the moment, I am very interested in what practice actually means to journalists. Is practice determined by the journalism industry or is it in you – perhaps an accumulation of training, perceptions, shaped by experiences but also inflected by witnessing the work of others?

I have a hunch that we learn the ropes and “know how” to do what the job requires initially, but then over time we start to “own’ those skills ourselves and adapt them, even subvert them, for our own ends. That, for me, sets journalism apart from typical professions and locates it somewhere very different.

If you read this, let me know your thoughts. Is practice a set of skills that you learn then apply according to what is required by your media outlet at any given moment. “knowing how”. Detachment.

Or is practice “being able”, accumulated over time. Attachment.

Or is it something else? I am also interested in how far the training manuals reflect editorial decision-making “on the ground”.

Thanks for reading this.

I will be using this page to share my thoughts and latest research updates. Watch this space.

You can follow me on Twitter via @BrunelJourSarah

You can find out more about Brunel Journalism here http://bruneljournalism.wordpress.com/

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